Between that and a lifetime of low wage labor, by the time I started reading volume one I practically skimmed over the first 5 chapters because it all just seemed perfectly obvious when I went through it. If anyone else is trying to read capital but gets bored reading a bunch of simple algebra forms about bolts of linen and wage labor in the abstract because you already have a passing familiarity with Marxist concepts, I usually recommend people skim if not just skip ahead to Chapter 5 cuz that’s where he really starts cooking once his whole economic proof is out of the way.
I swear every time I read some commie stuff I get halfway and it starts referencing other stuff which I click and then I get halfway and then it references something else and suddenly I’m reading critiques from 1800
You better not be sending me into recursion when I click this
Lmao, I’ve tried to minimize my copy-pasting of comments over time so there’s more links in my comments now, haha.
I’m clicking all the “read my other comment” links until I’ve basically read Capital Vol. 1 in its entirety through Lemmy posts.
Between that and a lifetime of low wage labor, by the time I started reading volume one I practically skimmed over the first 5 chapters because it all just seemed perfectly obvious when I went through it. If anyone else is trying to read capital but gets bored reading a bunch of simple algebra forms about bolts of linen and wage labor in the abstract because you already have a passing familiarity with Marxist concepts, I usually recommend people skim if not just skip ahead to Chapter 5 cuz that’s where he really starts cooking once his whole economic proof is out of the way.
You’ll get vol. 2 and vol. 3 from watching all the dang lectures we link too.
Here’s the latest one I linked, Michael Hudson on Marxism, Parasites, and Debt Cancellation
hold my marxist theory, i’m going in.
I swear every time I read some commie stuff I get halfway and it starts referencing other stuff which I click and then I get halfway and then it references something else and suddenly I’m reading critiques from 1800