• Juice@midwest.social
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      56 minutes ago

      I think about the stuff he wrote about Italian theater every time I think about live nation and ticket master.

      I think another thing I deeply appreciate about Gramsci’s writing is that given the fact that his prison notes never had to like “bend the stick” the way other leaders did. I think it gives an unusually long tail of relevance for his work, because he was working with abstractions, which reemerge over and over throughout struggle, and not messy revolutionary conditions.

      But its incredibly sad what happened to him. Anyway thanks for your insight, I have an urge to help clarify these theories – it seems like 90% of the analysis of Gramsci I’ve read has come from Neolibs and reactionaries who can only comprehend his theories cynically (the other 10% coming from DSA’s very good Mountain Caucus). But imma need to sharpen my pencil a bit I guess

      • Cowbee [he/they]@lemmy.ml
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        45 minutes ago

        That’s a good point, regarding the abstract nature of Gramsci’s work. It’s similar to Marx and Engels in that sense. Gramsci is a difficult one, like you brought up he’s often used in reactionary and cynical ways, despite being very supportive of existing socialism.