• 2 Posts
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Joined 1 year ago
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Cake day: June 18th, 2023

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  • This isn’t true with AI generators. You can absolutely draw in a shitty stick figure with the pose you want and it’ll transform that into a proper artwork with the person in that pose. There are tons and tons of ways to manipulate the the output.

    And again, we give copyright to artists that incorporate randomness into their art. If I throw darts at paint filled balloons I get to copyright the output. It would be absolutely impossible to replicate that piece and I only have vague control over the results.


  • These are my thoughts as well. It seems obvious that putting in ‘cat with a silly hat’ as a prompt is basically the creative equivalent of googling for a picture.

    But, as you say, that sort of AI usage is just dumb, bottom tier usage. There’s going to someday be a major, critical piece of art that heavily uses AI assistance in it’s creation and people are going to be surprised that it’s somehow not copyrightable under the laws and rulings they’re working on now.

    I remember in the LOTR behind the scenes they talked about how WETA built a game l like software to simulate the massive battle scenes, giving each soldier a series of attacks and hp, etc. They then used this to build out the final CGI.

    Stuff like that has already been going on for ages and it’s only going to get more murky as to what ‘AI art’ even means and what is enough human creativity and editing added to the process to make it human created rather than AI created.





  • AI art is derivative work, and claim that the authors of the works used to train the model shall have partial copyright over it too.

    To me this is a potential can of worms. Humans can study and mimic art from other humans. It’s a fundamental part of the learning process.

    My understanding of modern AI image generation is that it’s much more advanced than something like music sampling, it’s not just an advanced cut and paste machine mashing art works together. How would you ever determine how much of a particular artists training data was used in the output?

    If I create my own unique image in Jackson Pollock’s style I own the entirety of that copyright, with Pollock owning nothing, no matter that everyone would recognize the resemblance in style. Why is AI different?

    It feels like expanding the definition of derivative works is more likely to result in companies going after real artists who mimic or are otherwise inspired by Disney/Pixar/etc and attempting to claim partial copyright rather than protecting real artists from AI ripoffs.


  • A photographer does not give their camera prompts and then evaluate the output.

    I understand what you’re trying to say, but I think this will grow increasingly unclear as machines/software continue to play a larger and larger part of the creative process.

    I think you can argue that photographers issue commands to their camera and then evaluate the output. Modern digital cameras have made photography almost a statistical exercise rather than a careful creative process. Photographers take hundreds and hundreds of shots and then evaluate which one was best.

    Also, AI isn’t some binary on/off. Most major software will begin incorporating AI assistant tools that will further muddy the waters. Is something AI generated if the artist added an extra inch of canvas to a photograph using photoshops new generative fill function so that the subject was better centered in the frame?





  • Exactly. I’m tired of more and more of my life being decided by boardroom execs instead of elected officials. Why are we trying to privatize ethical decision making? Government officials may be only barely accountable, but at least that’s more than a private company. And don’t even get me started on ‘voting with your wallet’. I feel like that phrase is going to be as ridiculed by later generations as we ridicule ‘trickle down economics’.

    To me, going after oblique methods (like shutting off basic utilities) just to deal with criminal behavior represents a failure of the system. And the response to that failure shouldn’t be to make these hacky workarounds more accessible, but rather should be addressing the core problems in the first place. We shouldn’t be lobbying to shut off rapists power and water anymore than we should be trying to self sabotage our Internet infrastructure to deal with our rampant hate speech issues. Instead we should focus on actually addressing these issues by proper enforcement of laws we already have (which is often the sole issue), clarifying and updating where appropriate and developing responsive and auditable methods of problematic speech. In a way that isn’t totally up how one CEO feels that day.

    Why are we so quick to relinquish control of our digital lives to the very corporations we claim to hate?


  • I very much appreciate the self publishing that’s been possible, but I do know that the way they enable this is pretty exploitive and I think we still have massive room for improvement. My understanding is that it relies heavily on exclusivity agreements to force the majority of players onto their platform. I think we would’ve seen the Amazon self publishing business smacked down by anti trust lawsuits ages ago if we lived in a more sane timeline.

    Despite the exploitation going on now, it’s still better than the old monopolies the traditional publishers held, but I hope we can eventually see self publishing flourish outside of the Amazon ecosystem




  • Sort of. Mostly this is just what happens when you build a platform that allows basically anyone to sell something on it. Local businesses have limited space, so necessarily they needed to limit product to trusted brands/partners/publishers.

    Amazon has actually made it possible for self publishing to exist. There are a lot of successful authors now that never would have made it in the old ‘local bookstore buys books from publishing house’ paradigm.

    But this of course has also opened the floodgates for scammers which utilize those same indie-friendly options to try to exploit people.

    I think the issues are a little more nuanced than just ‘local business good, Amazon bad’. Not that I think Amazon is good, I just think there are real, valid reasons why small bookstores (and their large book publishers) had problems.


  • That’s fair. Using moon reader makes the library and store tabs useless. I have the store ‘disabled’ but the tab remains. Moon reader doesn’t like it when I open books via the library tab (creates a duplicate) so I stopped using it. Personally I rarely need to exit the moon reader app, so the base UI really doesn’t impact me much.

    Haven’t noticed moon reader hogging the battery. I keep Wi-Fi and Bluetooth off and use a decent amount of backlight and still get a couple of weeks out of it. Which is so much better than the 2-4 days my oasis got.

    Part of the reason I love mine is that it supports TTS so I can create my own audiobooks. Currently using Google wavenet to read books to me. This is nice for car rides especially cause I read a lot of books that will never get audio book versions (translated Chinese cultural cultivation fantasy)


  • I just bought the onyx boox page and I’m not seeing much, if any bloat. It’s a premium ebook reader ($250), but I bought it to replace my aging Kindle Oasis. I use moon reader pro instead of the built in reader. Google Play worked fine straight out of the box. It has a micro SD card slot for more storage as well.

    Overall I’m very satisfied with it and it is completely comparable to Amazons premium ereaders (honestly way longer battery life than my oasis ever had).

    Time will tell on OS updates, but truthfully I don’t really care much about that. At least until my apps stop working.