Crossposted from https://fedia.io/m/fuck/[email protected]/t/3317969
Court records show that NVIDIA executives allegedly authorized the use of millions of pirated books from Anna’s Archive to fuel its AI training.
Crossposted from https://fedia.io/m/fuck/[email protected]/t/3317969
Court records show that NVIDIA executives allegedly authorized the use of millions of pirated books from Anna’s Archive to fuel its AI training.
Are you think about this from the standpoint of a creator? Have you written anything? Have you composed or recorded a song? Have you drawn or painted a picture? Taken an artistic photo? Even written some source code?
Or are you simply looking at copyright from the perspective of a consumer, who sees it as little more than an inconvenience to your access to free media? (I understand the populism of this, because consumers always outnumber creators, and we all like having the power to pirate media in an economy where so much is becoming unaffordable to us.)
The original idea of copyright was that if you write a story (for example), you exclusively own it, and thus do not have to compete for the ability to print and sell it. This was meant to be a real solution to a real problem at the dawn of industrialization; how can the person who writes a story compete with a person who owns a printing press?
Sure, we can argue that the publisher still often wins today, because artists are so BROKE and desperate for cash that they will too often agree to a contract with bad terms. (See Spotify, for just one of many examples.) But without copyright, the writer loses and the printing company wins 100% of the time. The author would have zero ability to capitalize of their work, and the entity with the largest printing press would be unbeatable in the free market.
If AI is going to be treated like a printing press, artists should be protected from it like they were protected from the printing press. That demands stronger copyright laws, not weaker ones.
As an artist myself, I’m tired of hearing non-artists propose solutions in which artists can only “afford the necessities” while billionaire tech bros hoard 99.9% of the wealth for themselves. Whether it’s some kind of social safety net or UBI, what you’re proposing amounts to little more than an allowance or table scraps from society, for the people who do what I think is the important work of creating large parts of human culture. Promising creative people a meager future in which they scrape by on only the bare minimum needed to survive is not the glamorous sales pitch that some people seem to think it is…
Why is the prescription a society where creative people are the only ones who can’t capitalize on their creations?
If we are to abolish intellectual property, we might as well abolish all property (including land, patents and money as well) because then at least everybody is in the same boat. But if we do so, we’d better be careful to make sure that we aren’t simply giving the federal government (and the shitheads who run it) even more power and control over everything. A society like that would need a MUCH stronger Bill of Rights, and one that is actually enforced.
Yes I have, yes I have, yes I have, yes I have, and yes I have.
And yes, I’m thinking about this from the point of view of a creator. It’s fucking difficult to make ends meet. Talk to any artist that hasn’t managed to get a salaried job as an artist (you have to be really, I mean really good at what you do) or gotten lucky enough to make it big. They’re saving money anywhere they can. They’re working second and third jobs. Honestly, on average, artists are the poorest people I know. Despite copyright protection being strong (put the AI thing aside for a minute, since it’s a fairly new problem). The lab results are in. It doesn’t work.
You know what they would like? To focus on their art, and not their financial issues. Oh, and many would like to not worry about the legal grey area/hellhole when it comes to remixing or rearranging others’ work. I’ve made an arrangement for a song I was fascinated with, but I haven’t released it, partly because I don’t want to deal with all the legal BS.
You’re mixing up your history here. Copyright is much, much newer than the printing press. And even if you take that assumption, that calculation has changed, since again there’s next to no cost to making copies anymore. So now, the companies have used copyright to become gatekeepers while also keeping as much of the profit as humanly possible.
…except they can. There are plenty of media creators that get their audience to sponsor them, to varying degrees of success.
But honestly, if there’s no worry about food insecurity or housing insecurity, do you want to create art or just profit from it?
I’m not going to go into the slippery slope tirade at the end except to say this: look at how filthy rich companies like Disney, Sony, etc. are. They are that ridiculously rich because of copyright. Is that really what you want?